Navratri 2020: gujarati garba Know the nine colours per day and their history
Dates and celebrations
According to some Hindu texts such as the Shakta and Vaishnava Puranas, Navaratri theoretically falls twice or four times a year. Of these, the Sharada Navaratri near autumn equinox (September–October) is the most celebrated and the Vasanta Navaratri near spring equinox (March–April) is the next most significant to the culture of the Indian subcontinent. In all cases, Navaratri falls in the bright half of the Hindu lunisolar months. The celebrations vary by region, leaving much to the creativity and preferences of the Hindu.
- Sharada Navaratri: the most celebrated of the four Navaratri, named after Sharada which means autumn. It is observed the lunar month of Ashvin (post-monsoon, September–October). In many regions, the festival falls after the autumn harvest, and in others during harvest.
- Vasanta Navaratri: the second most celebrated, named after vasanta which means spring. It is observed the lunar month of Chaitra (post-winter, March–April). In many regions the festival falls after spring harvest, and in others during harvest.
The other two Navratris are observed regionally or by individuals:
- Magha Navaratri: in Magha (January–February), winter season. The fifth day of this festival is often independently observed as Vasant Panchami or Basant Panchami, the official start of spring in the Hindu tradition wherein goddess Saraswati is revered through arts, music, writing, kite flying. In some regions, the Hindu god of love, Kama is revered.
- Ashada Navaratri: in Ashadha (June–July), the start of the monsoon season.
The Sharada Navaratri commences on the first day (pratipada) of the bright fortnight of the lunar month of Ashvini. The festival is celebrated for nine nights once every year during this month, which typically falls in the Gregorian months of September and October. The exact dates of the festival are determined according to the Hindu lunisolar calendar, and sometimes the festival may be held for a day more or a day less depending on the adjustments for sun and moon movements and the leap year.
The festivities extend beyond goddess Durga and god Rama. Various other goddesses such as Saraswati and Lakshmi, gods such as Ganesha, Kartikeya, Shiva, and Krishna are regionally revered. For example, a notable pan-Hindu tradition during Navaratri is the adoration of Saraswati, the Hindu goddess of knowledge, learning, music, and arts through Ayudha Puja. On this day, which typically falls on the ninth day of Navaratri after the Good has won over Evil through Durga or Rama, peace and knowledge is celebrated. Warriors thank, decorate and worship their weapons, offering prayers to Saraswati. Musicians upkeep their musical instruments, play and pray to them. Farmers, carpenters, smiths, pottery makers, shopkeepers and all sorts of tradespeople similarly decorate and worship their equipment, machinery, and tools of trade. Students visit their teachers, express respect and seek their blessings. This tradition is particularly strong in South India, but is observed elsewhere too.
Significance of each day
The festival is associated to the prominent battle that took place between Durga and demon Mahishasura and celebrates the victory of Good over Evil. These nine days are solely dedicated to Goddess Durga and her nine Avatars – the Navadurga. Each day is associated to an incarnation of the goddess:
- Day 1 – Shailaputri
Known as Pratipada, this day is associated with Shailaputri (literally “Daughter of Mountain”), an incarnation of Parvati. It is in this form that the Goddess is worshiped as the consort of Shiva; she is depicted as riding the bull, Nandi, with a trishula in her right hand and lotus in her left. Shailaputri is considered to be the direct incarnation of Mahakali. The color of the day is red, which depicts action and vigor.
- Day 2 – Brahmacharini
On Dwitiya, Goddess Brahmacharini, another incarnation of Parvati, is worshiped. In this form, Parvati became Sati, her unmarried self. Brahmacharini is worshiped for emancipation or moksha and endowment of peace and prosperity. Depicted as walking bare feet and holding a japamala and kamandal in her hands, she symbolizes bliss and calm. Blue is the color code of this day. Blue color depicts tranquility yet strong energy.
- Day 3 – Chandraghanta
Tritiya commemorates the worship of Chandraghanta – the name derived from the fact that after marrying Shiva, Parvati adorned her forehead with the ardhachandra (lit. half-moon). She is the embodiment of beauty and is also symbolic of bravery. Yellow is the color of the third day, which is a vivacious color and can pep up everyone’s mood.
- Day 4 – Kushmanda
Goddess Kushmanda is worshiped on Chaturthi. Believed to be the creative power of the universe, Kushmanda associated with the endowment of vegetation on earth and hence, the color of the day is Green. She is depicted as having eight arms and sits on a Tiger.
- Day 5 – Skandamata
Skandamata, the goddess worshiped on Panchami, is the mother of Skanda (or Kartikeya). The color of Grey is symbolic of the transforming strength of a mother when her child is confronted with danger. She is depicted riding a ferocious lion, having four arms and holding her baby.
- Day 6 – Katyayani
Born to sage Katyayana, she is an incarnation of Durga and is shown to exhibit courage which is symbolized by the color Orange. Known as the warrior goddess, she is considered one of the most violent forms of Devi. In this avatar, Kātyāyanī rides a lion and has four hands. She is a form of Maha Lakshmi
- Day 7 – Kalaratri
Considered the most ferocious form of Goddess Durga, Kalaratri is revered on Saptami. It is believed that Parvati removed her fair skin to kill the demons Sumbha and Nisumbha. The color of the day is White. On Saptami, the Goddess appears in a white color attire with a lot of rage in her fiery eyes, her skin turns black. The white color portrays prayer and peace and ensures the devotees that the Goddess will protect them from harm.
- Day 8 – Mahagauri
Mahagauri symbolizes intelligence and peace. The color associated with this day is Pink which depicts optimism.
- Day 9 – Sidhidatri
On the last day of the festival also known as Navami, people pray to Siddhidhatri. Sitting on a lotus, she is believed to possess and bestows all types of Siddhis. Here she has four hands. Also known as SriLakshmi Devi. The light blue color of the day portrays an admiration towards nature’s beauty.
Navaratri is celebrated in different ways throughout India. Some fast, others feast. Some revere the same Mother Goddess but different aspects of her, while others revere avatars of Vishnu, particularly of Rama. The Chaitra Navaratri culminates in Rama Navami on the ninth day, and the Sharada Navaratri culminates in Durga Puja and Dussehra.
The Rama Navami remembers the birth of Rama, preceded by nine days of Ramayana recital particularly among the Vaishnava temples. In the past, Shakta Hindus used to recite Durga’s legends during the Chaitra Navaratri, but this practice around the spring equinox has been declining. For most contemporary Hindus, it is the Navaratri around the autumn equinox that is the major festival and the one observed. To Bengali Hindus and to Shakta Hindus outside of eastern and northeastern states of India, the term Navaratri implies Durga Puja in the warrior goddess aspect of Devi. In other traditions of Hinduism, the term Navaratri implies something else or the celebration of Hindu goddess but in her more peaceful forms such as Saraswati – the Hindu goddess of knowledge, learning, music, and other arts. In Nepal, Navaratri is called Dasain, and is a major annual homecoming and family event that celebrates the bonds between elders and youngsters with Tika Puja, as well as across family and community members.
Eastern India, West Bengal and Nepal
The Navaratri is celebrated as the Durga Puja festival in West Bengal. It is the most important annual festival to Bengali Hindus and a major social and public event in eastern and northeastern states of India, where it dominates the religious life. The occasion is celebrated with thousands of temporary stages called pandals are built in community squares, roadside shrines and large Durga temples in West Bengal, Odisha, Jharkhand, Bihar, eastern Nepal, Assam, Tripura and nearby regions. It is also observed by some Shakta Hindus as a private, home-based festival. Durga Puja festival marks the battle of goddess Durga with the shape-shifting, deceptive and powerful buffalo demon Mahishasura, and her emerging victorious.
The last five days of Navratri mark the popular practices during Durga Puja. The festival begins with Mahalaya, a day where Shakta Hindus remember the loved ones who have died, as well the advent of the warrior goddess Durga. The next most significant day of Durga Puja celebrations is the sixth day, called Shashthi where the local community welcomes the goddess Durga Devi and festive celebrations are inaugurated. On the seventh day (Saptami), eighth (Ashtami) and ninth (Navami), Durga along with Lakshmi, Saraswati, Ganesha, and Kartikeya are revered and these days mark the main Puja (worship) with recitation of the scriptures, the legends of Durga in Devi Mahatmya and social visits by families to elaborately decorated and lighted up temples and pandals (theatre like stages). After the nine nights, on the tenth day called Vijayadashami, a great procession is held where the clay statues are ceremoniously walked to a river or ocean coast for a solemn goodbye to Durga. Many mark their faces with vermilion (sindooram) or dress in something red. It is an emotional day for some devotees, and the congregation sings emotional goodbye songs. After the procession, Hindus distribute sweets and gifts, visit their friends and family members.
In North India, Navaratri is marked by the numerous Ramlila events, where episodes from the story of Rama and Ravana are enacted by teams of artists in rural and urban centers, inside temples or in temporarily constructed stages. This Hindu tradition of festive performance arts was inscribed by UNESCO as one of the “Intangible Cultural Heritage of Humanity” in 2008. The festivities, states UNESCO, include songs, narration, recital and dialogue based on the Hindu text Ramacharitmanas by Tulsidas. It is particularly notable in historically important Hindu cities of Ayodhya, Varanasi, Vrindavan, Almora, Satna and Madhubani – cities in Uttar Pradesh, Uttarakhand, Bihar and Madhya Pradesh.
The festival and dramatic enactment of the virtues versus vices filled story is organized by communities in hundreds of small villages and towns, attracting a mix of audiences from different social, gender and economic backgrounds. In many parts, the audience and villagers join in and participate spontaneously, some helping the artists, others helping with stage set up, create make-up, effigies and lights.
The most famous Navaratri festival is organized at Katra in Jammu Province. It is an annual event promoted by Directorate of Tourism, Jammu and Shri Mata Vaishno Deviji Shrine Board. Hundreds of thousands of devotees pay their attendance at Katra for the festival.
Navaratri has historically been a prominent ritual festival for kings and military of a kingdom. At the end of the Navratri, comes Dussehra, where the effigies of Ravana, Kumbhakarna, and Meghanada are burnt to celebrate the victory of good (Rama) over evil forces on Vijayadashami.
Elsewhere, during this religious observance, goddess Durga’s war against deception and evil is remembered. A pot is installed (ghatasthapana) at a sanctified place at home. A lamp is kept lit in the pot for nine days. The pot symbolizes the universe. The uninterrupted lit lamp symbolizes the Adishakti, i.e. Durga Devi.
In parts of Bihar, Durga Devi is revered during the autumn of Navaratri. In other parts, such near Sitamarhi close to Nepal border, the spring Navratri attracts a large Ramanavami fair which marks the birth of Lord Rama as well as a reverence for his wife Sita who legends place was born at Sitamarhi. It is the largest cattle trading fair and attracts a large handicraft market in pottery, kitchen, and houseware, as well as traditional clothing. Festive performance arts and celebrations are held at the local Hindu temple dedicated to Sita, Hanuman, Durga, and Ganesha.
Navaratri in Gujarat is one of the state’s main festivals. The traditional celebrations include fasting for a day, or partially each of the nine days such as by not eating grains or just taking liquid foods, in remembrance of one of nine aspects of Shakti goddess. The prayers are dedicated to a symbolic clay pot called garbo, as a remembrance of the womb of the family and universe. The clay pot is lit, and this is believed to represent the one Atman (soul, self).
In Gujarat and nearby Hindu communities such as in Malwa, the garbo significance is celebrated through performance arts on all nine days. The most visible is group dances from villages to towns called Garba accompanied by live orchestra, seasonal raga or devotional songs. It is a folk dance, where people of different background and skills join and form concentric circles. The circles can grow or shrink, reaching sizes of hundreds, sometimes thousands of people, dancing and clapping in circular moves, in their traditional costumes, at the same time. The garba dance sometimes deploys dandiyas (sticks), coordinated movements and striking of sticks between the dancers, and teasing between the genders. Post dancing, the group and the audience socializes and feasts together. Regionally, the same thematic celebration of community songs, music and dances on Navaratri is called garbi or garabi.
In the temples of Goa, on the first day of the Hindu month of Ashwin, in temples (and some households), a copper pitcher is installed surrounded by clay in which nine varieties of food grains are placed inside the sanctum sanctorum of Devi and Krishna temples. The nine nights are celebrated by presenting devotional songs and through religious discourses. Artists arrive to perform folk musical instruments. Celebrations include placing the goddess image in a specially-decorated colorful silver swing, known as Makhar in Konkani language and for each of the nine nights, she is swung to the tune of temple music (called as ranavadya) and devotees singing kirtan and waving lamps. This is locally called Makharotsav.
The last night of the Goa Navaratri festival is a major celebration and attracts larger participation. It is locally called the makhar arati.
In Karnataka, Navaratri is observed at home and by lighting up Hindu temples, cultural sites, and many regal processions. It is locally called Dasara and it is the state festival (Nadahabba) of Karnataka. Of the many celebrations, the Mysuru Dasara is a major one and is popular for its festivities and Mysore elephant procession. In Karnataka starting seventh day Saraswati pooja also starts where books on ancient Indian traditions and books of children are kept for pooja. These books are worshiped and read on the 10th day the Vijaya dashami.
The contemporary Dasara festivities at Mysore are credited to the efforts of King Raja Wodeyar I in 1610. On the ninth day of Dasara, called Mahanavami, the royal sword is worshipped and is taken on a procession of decorated elephants and horses. The day after Navratri, on the Vijayadashami day, the traditional Dasara procession is held on the streets of Mysore. An image of the Goddess Chamundeshwari is placed on a golden saddle (hauda) on the back of a decorated elephant and taken on a procession, accompanied by tableaux, dance groups, music bands, decorated elephants, horses and camels.
Ayudha Puja is dedicated to Saraswati goddess, on the ninth day of Dasara, where military personnel upkeep their weapons and families upkeep their tools of livelihood, both offering a prayer to Saraswati as well as Parvati and Lakshmi. Another Navaratri tradition in Karnataka has been decorating a part of one’s home with art dolls called Gombe or Bombe, similar to Golu dolls of Tamil Nadu. An art-themed Gaarudi Gombe, featuring folk dances which incorporate these dolls, is also a part of the celebration.
In Kerala and in some parts of Karnataka three days: Ashtami, Navami, and Vijaya Dashami of Sharada Navarathri are celebrated as Sarasvati Puja in which books are worshiped. The books are placed for Puja on the Ashtami day in their own houses, traditional nursery schools, or in temples. On Vijaya Dashami day, the books are ceremoniously taken out for reading and writing after worshiping Sarasvati. Vijaya Dashami day is considered auspicious for initiating the children into writing and reading, which is called Vidyāraṃbhaṃ.
The Vidyarambham day tradition starts with the baby or child sitting on the lap of an elderly person such as the grandfather, near images of Saraswati and Ganesha. The elder writes a letter and the child writes the same with his or her index finger. This Hindu tradition is so popular that Christian organizations have copied it and ritually observe it inside many churches. However, Navratri traditions of Hindus is not the only tradition observed by Kerala Christians, many other Hindu ritual traditions are celebrated in Churches.
The Navaratri celebrations vary across Maharashtra and the specific rites differ between regions even if they are called the same and dedicated to the same deity. The most common celebration begins on the first day of Navaratri with Ghatasthapana (sthapana of a ghat), which literally means “mounting of a jar”. On this day, rural households mount a copper or brass jar, filled with water, upon a small heap of rice kept on a wooden stool (pat). Additionally, with the jar, is typically placed other agriculture symbols such as turmeric root, leaves of mango tree, coconut and major staple grains (usually eight varieties). A lamp is lighted symbolizing knowledge and household prosperity, and kept alight through the nine nights of Navaratri.
The family worships the pot for nine days by offering rituals and a garland of flowers, leaves, fruits, dry-fruits, etc. with a naivedya, and water is offered in order to get the seeds sprouted. Some families also celebrate Kali puja on days 1 and 2, Laxmi puja on days 3, 4, 5 and Saraswati puja on days 6, 7, 8, 9 along with Ghatasthapana. On the eighth day, a “Yajna” or “Hom” is performed in the name of Goddess Durga. On the ninth day, the Ghat puja is performed and the Ghat is dismantled after taking off the sprouted leaves of the grains. In many families, a woman from Matang community is called and offered food and blessings are sought from her. She is considered as a form of the Goddess “Matangi”.
The Goddess Lalita is worshipped on the fifth day of the festival. On the ninth day or Khande Navami of the festival, men participate in worshipping all kinds of tools, weapons, vehicles and productive instruments.
Navaratri has been a historic tradition within Tamil Nadu, with Lakshmi, Saraswati and Durga goddesses the focus. Like the rest of India, the festival has been an occasion for performance arts, particularly Hindu temple dances such as Bharatanatyam and Mohiniyattam. Major palaces, community centers, and historic temples have embedded dance halls. For example, the Padmanabhapuram Palace built about 1600 CE has had a large dance hall with intricately carved pillars, a structure entirely made of stone. This dance hall has traditionally been known as Navratri Mantapa. The festivities begin with Vedic chants inaugurating the dances and other ceremonies. Other Tamil Hindu temples, such as those associated with Sri Vaishnavism, also celebrate the Navarathri festivities.
Another notable Tamil tradition is a celebration of the festival with Golu dolls (also spelled as Gollu). These include gods, goddesses, animals, birds and rural life all in a miniature design. People set up their own creative themes in their homes, called Kolu, friends and families invite each other to visit their homes to view Kolu displays, then exchange gifts and sweets. This tradition is also found in other parts of South India such as Andhra Pradesh where it called Bommala Koluvu, and Karnataka where it is called Gombe Habba or Gombe totti. Evidence of Gombe totti tradition as a Hindu celebration of the artisan arts goes back to at least the 14th-century Vijayanagara Empire. In the evening of “Vijayadasami”, any one doll from the “Kolu” is symbolically put to sleep and the Kalasa is moved a bit towards North to mark the end of that year’s Navaratri Kolu. The family offers a prayer of thanks, and wraps up the display.
In Tamil Nadu, each and every home will be decorated during the occasion of navaratri. Tamil people all around the world will keep golu in their homes which displays beautiful golu dolls with various puranic background. The daily poojas in the night time will include different offerings to the god such as food (neivedyam), flower decorations, fruits, floral decorations, etc. Then singing devotional songs, reading puranam,traditional prayers will also takes major place. In Tamil Nadu most celebrated deities during navaratri will be the tridevi (“Mupperumdevigal” in Tamil) , the three major goddesses of Hinduism includes Durgai(Parvati), Lakshmi and Saraswati. On the ninth day of navaratri Ayudha poojai and Saraswati poojai will takes place everywhere in Tamil Nadu followed by the tenth day which will be celebrated as Vijayadasami, the victory day and end of navaratri golu. During Vijayadasami Tamil people will join their children in schools. This practice is because of celebrating the victory.
In temples of Tamil Nadu, Navaratri is celebrated for Devi’s dwelling in each temple. The temples are decorated, ceremonial lamps are lit, and Vedic chantings are performed. Popular Tamil Nadu temples celebrating Navaratri are Madurai Meenakshi Temple, Chennai Kapaleeswarar temple, Kulasekarapattinam Devi temple, Perambur Ellaiamman temple, Srirangam Ranganathan temple and 8th century Kumari Amman temple. Priests and visitors to some of these temples wear a special yellow colored ‘promise of protection’ thread on their wrists, called kappu (Tamil) or raksha bandhana (Sanskrit). It is believed to symbolize a vow to the goddess and protection from the goddess against evil.
In Telangana, Navaratri is celebrated as in the rest of India and it ends with Dasara. During the Navaratri nights, a notable Telangana tradition involves Telugu Hindu women who produce Bathukamma for Navratri goddesses. It is an artistic flower decorations driven event, particularly using marigolds, which revere three different aspects Devi, called Tridevi. In 2016, 9.292 women simultaneously participated to create a 20 feet high flower arrangements, one of the world’s largest festive flower arrangement.
Bathukamma celebrations will be started with the Mahalaya Amavasya (Pitru Amavasya), a day before actually Navaratri starts. The main deity of worship is goddess Gowri, form of goddess Durga/Parvati who is symbolised or personified with turmeric powder idol and is placed on the floral arrangement called bathukamma. The festival will go for nine nights with women whirling around the bathukamma clapping their hands or with sticks along with recitation of Ramayana, stories of Shiva, Gowri, Ganga and common day-to-day life of women in the form of rhythmic songs resembling Garba and Dandiya at public gatherings. Every night bathukamma is immersed in nearby water resources like ponds or rivers and a new bathukamma is made next day. This nine nights festival end with Durgashtami, when goddesses Durga is believed to be worshipped in the form of Maha Gowri.
Like elsewhere in India, Ayudha Puja is observed by Telangana Hindus where weapons are maintained, decorated and worshipped. Tradesmen and farmers similarly clean up, decorate and worship their own equipment of the trade. On the 10th day, i.e. Dussehra (Vijayadashami), grand feasts are arranged with family members and friends. The 10 day long festival ends with Shami (Jammi) puja which is performed at evenings in open spaces, where leaves of plant are exchanged with each other by greeting dussehra wishes and taking blessings of elders symbolising victory over evil and recognizing the importance of shami plant in the epic of Mahabharata.
Animal sacrifice is a part of some Durga puja celebrations during the Navratri in eastern states of India. The goddess is offered sacrificial animal in this ritual in the belief that it stimulates her violent vengeance against the buffalo demon. According to Christopher Fuller, the animal sacrifice practice is rare among Hindus during Navratri, or at other times, outside the Shaktism tradition found in the eastern Indian states of West Bengal, Odisha and Assam. Further, even in these states, the festival season is one where significant animal sacrifices are observed. In some Shakta Hindu communities, the slaying of buffalo demon and victory of Durga is observed with a symbolic sacrifice instead of animal sacrifice.[b]
The Rajput of Rajasthan worship their weapons and horses on Navratri, and formerly offered a sacrifice of a goat to a goddess revered as Kuldevi – a practice that continues in some places. The ritual requires slaying of the animal with a single stroke. In the past this ritual was considered a rite of passage into manhood and readiness as a warrior. The Kuldevi among these Rajput communities is a warrior-pativrata guardian goddess, with local legends tracing reverence for her during Rajput-Muslim wars.
The Hindu diaspora that migrated as indentured servants during colonial era to various plantations and mines around the world, as well as those who migrated on their own, continued to mark their Navaratri traditions. Tamil Hindus in Malaysia, Singapore and Thailand, for example, built Hindu temples in southeast Asia in the 19th century, and Navratri has been one of their major traditional festivals. In Trinidad and United Kingdom, Navratri and Diwali have been one of the most visible celebrations of the local Hindu communities from about mid 20th-century.
Navaratri and goddess worship is mentioned in the historic Sikhism literature, particularly in the Dasam Granth traditionally attributed to Guru Gobind Singh. According to Louis Fenech, the Sikhs have historically mirrored the reverence for Devi Shakthi and the worship of weapons in a manner similar to those by Shakta Hindus. The second Guru of Sikhism, Guru Angad was an ardent devotee of goddess Durga.
The Jains have observed the social and cultural celebrations of Navaratri with Hindus, such as the folk dances. The stavan poetry of Jainism, states M. Whitney Kelting, “draw much of their imagery from the garba poems” of Hinduism.